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“But it’s the part that’s necessary to get the beautiful part on stage.”

“It’s definitely not the beautiful part,” said Paul Horpedahl, who oversees the company’s campus. It invests heavily behind the scenes in bricks, mortar, mud - and water treatment. This is a fact of the form that the Santa Fe Opera has always understood and, probably more than anything, the reason it has achieved its status as one of the country’s great companies. No Brünnhilde hits her high notes without the serious support system that got her up there: the vocal coaches and wigmakers the caterers, costumers and set builders and the person who cleans the shower she desperately needs after all of the torture Wagner puts her through onstage. What every great soprano needs most is infrastructure. Digital Replica Edition Home Page Close Menu